If you came into this page from a search engine, you should know that this is primarily a website for people who dance. I, and most of my readers, specialize in a particular dance form called Lindy Hop that is performed to uptempo 8-count swing or rock music. (e.g. One O'Clock Jump or Johnny B. Goode). As dancers, we face a lot of the same problems today that killed partner dancing in the 1960s -- a lack of music that fits our needs. Popular taste does not now favor Lindy-danceable songs. Our research, discussed below, seems to indicate that it never really did.
We have been looking into the "Hit Parade" for the Swing and Rock'n'Roll Era (i.e. 1935-1959). Guess what: You would be TOTALLY WRONG if you believed that:
In 1935, Duke Ellington was selling a lot of copies A-Train or
In 1937, Cab Calloway was playing to SRO crowds at the Cotton Club. He MUST have had a blockbuster hit with Minnie the Moocher
In 1938, Benny Goodman played the legendary Carnegie Hall Concert. He DEFINITELY was on the charts big time with Sing, Sing, Sing
Louis Jordan must have had a whole long string of mega hits with Choo Choo Ch'Boogie,Saturday Night Fish Fry,or Caldonia
Louis Prima and Keely Smith must have been regularly in the top ten, especially with Jump, Jive, and Wail
Chuck Berry must have had at least one big hit (maybe Johnny B. Goode?)
All of those statements are TOTALLY FALSE! Virtually NONE of the songs that we love to dance to ever got anywhere near the top of the Pop Charts!!! In fact, from 1950 through 1959, only 8 Lindy-danceable songs made the Overall Top Ten for these years (that's 8 out of 100!). For a week or two, some of the songs that we love may have come close to the top, but when sales are considered for the whole year, generally uptempo killer-dillers lose out.
In Case you are interested, they are:
Mona Lisa, Nat King Cole, 1950, #5
How High the Moon,Les Paul, 1951, #2
Sh-Boom,Crew Cuts, 1954, #5
Rock Around the Clock,Bill Haley, 1955, #1
Don't be Cruel,Elvis Presley, 1956, #1
All Shook Up,Elvis Presley, 1959, #9
At The Hop,Danny and the Juniors,1958, #10
Mack the Knife,Bobby Darin, 1959, #1
By contrast, there are six waltzes, an actual ragtime song (Crazy Otto Rag), and about 20 Latin Beat numbers.
Check it out for yourself! But, remember that these are year-long totals. Sadly, (and I was there...) the 1950s were mostly a time of segregation and repression marked by an almost desperate "clinging" to a particular set of middle class social values
People had a taste for nostalgia (Yellow Rose of Texas), sentiment (Oh My Papa), movie themes (Tammy), and outright schlock (Witch Doctor).
Hot numbers and "edge" didn't sell records. Elvis had only three Yearly Top Ten hits during 1955-1959. The Platters had four , and the Everley Brothers and Johnny Mathis had two, as did Latin star Perez Prado.
There are actually four Big Band hits during 1955-1959 (Lisbon Antigua, Canadian Sunset, Moonglow/Picnic, and So Rare) I think that Jimmy Dorsey's So Rare which was #9 for 1957 was the last major hit for a Swing Era big band.
Small subcultures formed to enjoy uptempo music with a strong beat -- it was the zoot-suiters and jitterbugs of the 1940s and the High School Hoppers and Boppers of the 1950s that bought and shared swingable music. Most "fast dance" was prohibited at school events, so it had to be practiced in basements and "Rumpus Rooms" located sufficiently far from Dad so that he wouldn't say "Turn that noise off."
The fuel for these clandestine parties came from an unusual source. On Sunday night the white-bread local stations turned their power down because nobody was listening. At this magic moment several southern stations ( like KPFK in Helena, Arkansas) came alive and played the "Race Music" that was forbidden by the Minister, the Principal, and Dad. A teenager who was lucky enough to own a reel-to-reel tape deck could attain high status by bringing this ill-gotten treasure to basement dance parties. Once they knew the names of the songs and the artists, kids would travel from the segregated suburbs to the "Negro Neighborhoods" to buy records for themselves. None of that got on the "pop charts."
Haven't People Come to Love the old Uptempo Songs?
In brief, apparently not..
Several years ago, the now defunct Oldies 100 (WBIG-FM) produced a brochure that contained their "Big 500 Oldies of All Time" -- that would be from the time that they were released to about 1999. For what it's worth, very few Lindy-danceable songs made this list. Of 500 songs, I count only 15 that are even marginally danceable! Here they are:
#2 American Pie, Don Mclean, 1972 (marginal)
#9 Mack the Knife, Bobby Darin, 1959
#26 Johnny B. Goode, Chuck Berry, 1958
#34 Rock Around the Clock,Bill Haley, 1955
#81 Don't Be Cruel, Elvis Presley, 1956
#116 Peggy Sue, Buddy Holly, 1958
#146 Maybelline, Chuck Berry, 1958
#258 Rockin' Pneumonia, Johnny Rivers, 1973
#327 Rave On, Buddy Holly, 1958
#338 Jail House Rock, Elvis Presley, 1957
#392 Yakety Yak, The Coasters, 1958
#422 Green Onions, Booker T and the MGs,1962 (marginal)
#427 Devil with a Blue Dress, Mitch Ryder, 1966
#445 That'll be the Day, Buddy Holly, 1957
#490 Your Mama Don't Dance, Loggins & Messina, 1973 (marginal)
So, What Is a "Hit Parade", anyway?
Your Hit Parade was a popular American radio and television program, sponsored by Lucky Strike cigarettes and broadcast from 1935 to 1955 on radio, and 1950 to 1959 on television.
Each Saturday evening, the program offered the most popular and best selling songs of the week. The earliest format involved a presentation of the top 15 songs. Later, a countdown with fanfares led to the top three finalists, with the number one song for the finale. Occasional performances of standards and other favorite songs from the past were known as "Lucky Strike Extras," the equivalent of "Oldies But Goodies."
Listeners were informed that:
The survey checks the best sellers on sheet music and phonograph records, the songs most heard on the air and most played on the automatic coin machines, an accurate, authentic tabulation of America's taste in popular music.
However, the exact methodology for this "authentic tabulation" was never revealed. We have a Special Jukebox Page that goes into some detail about that business. Until the 1950s, jukeboxes offered (at most) 24 selections while hundreds of songs were released each year. If you follow our discussion of jukebox mechanisms, you'll find that most machines did not keep totals of how many times each record had been played. Based on our look at organized crime and jukeboxes, we suspect that the selections that were made available reflected "payola" rather than popular taste.
As far as sheet music is concerned, Who would think of buying the sheet music for Sing,Sing, Sing? As far as airplay goes, most jive records were kept off the air -- black artists were discriminated against, Rock and Roll was the tool of the devil, etc. In other words, the "survey" had a lot of flaws.
Another factor was economics-- until the 1950s, teenagers didn't have a lot of purchasing power. (In the Depression, nobody had a lot of purchasing power...) This meant that buying a record was more like an investment than an impulse. Mom and Dad exerted a levelizing influence on record purchases and phonograph time, so sales tend to reflect sentimental ballads that weren't likely to stir up any adolescent hormones. With the prosperity of the 1950s, teenagers got their own radios, phonographs and televisions. After that, things began to change.
Your Hit Parade eventually folded because the cast, made up of big band singers, could not render songs like Hound Dog or Blue Suede Shoes in a fashion that was convincing to teenagers.
Another source of information about popular musical tastes was a magazine called Hit Parader that was issued on a monthly basis. The magazine contained the lyrics to popular songs and various articles about personalities in the music industry. Copies of Hit Parader are somewhat collectible, especially if the star featured on the cover has a cult following. The magazine was first published in 1942 and survives to this day, but is largely unrecognizable from its former incarntation, now embellished with the sort of Doom and Gloom graphics favored by teenage boys who eat too many cheez curls.
Here are some representative magazines that I have collected. You can click to enlarge each cover to have a look at the songs that were popular that month:
The Early 1940s
Feb, 1943, Dec 1943,March 1944, Sept. 1944
The Late 1940s
March 1945, October 1947, August 1948, December 1949
The Early 1950s
April 1951, April 1952,December 1952, October 1953
The Mid 1950s
July, 1954, December 1956,February, 1958 April, 1958
The Late 1950s
May 1958, November 1958, July 1959
Click to Enlarge
Here are sources for Hit Parade information from the past.
For the yearly best from the Your Hit Parade Radio and TV Show, 1935-1955 click here. This site also has a stunning amount of information about Big Bands.
The source for years 1956-1959 is: The Good Old Days, Time Life Books,1996, ISBN 0-7835-4845-1, especially p 186
If you want to go beyond 1959, check out the yearly best from Billboard Magazine, 1962-1972, click here. This site actually lists the Top 100 AND has lyrics for all the songs. If a particular song was an "instrumental", the site has a downloadable MP3 soundbite)
Without further ado, here are the years, 1935 - 1959. Table entries are the overall best sellers for the calendar year as tabulated by Cash Box magazine
1935
CHEEK TO CHEEK Fred Astaire
ISLE OF CAPRI Ray Noble
WHEN I GROW TOO OLD TO DREAM Glen Gray
RED SAILS IN THE SUNSET Guy Lombardo
LOVELY TO LOOK AT Eddy Duchin
SHE'S A LATIN FROM MANHATTAN Victor Young
I'M IN THE MOOD FOR LOVE Little Jack Little
I WON'T DANCE Eddy Duchin
TRUCKIN' Fats Waller
IN A LITTLE GYPSY TEA ROOM Bob Crosby
1936
PENNIES FROM HEAVEN Bing Crosby
THE WAY YOU LOOK TO NIGHT Fred Astaire
THE GLORY OF LOVE Benny Goodman
ALONE Tommy Dorsey
GOODY GOODY Benny Goodman
A FINE ROMANCE Fred Astaire
THE MUSIC GOES ROUND AND ROUND Tommy Dorsey
DID I REMEMBER? Shep Fields
IT's A SIN TO TELL A LIE Fats Waller
IS IT TRUE WHAT THEY SAY ABOUT DIXIE? Jimmy Dorsey
1937
SWEET LEILANI Bing Crosby
ONCE IN A WHILE Tommy Dorsey
THE DIPSY DOODLE Tommy Dorsey
IT LOOKS LIKE RAIN IN CHERRY BLOSSOM LANE Guy Lombardo
BOO HOO Guy Lombardo
SEPTEMBER IN THE RAIN Guy Lombardo
THAT OLD FEELING Shep Fields
WHISPERS IN THE DARK Bob Crosby
GOODNIGHT,MY LOVE Benny Goodman
THE MOON GETS IN YOUR EYES Bing Crosby
1938
Begin the Beguine Artie Shaw
Love Walked In Kenny Baker
A-Tisket-A-Tasket Ella Fitzgerald
Heart and Soul Larry Clinton
Bei Mir Bist du Schoen The Andrews Sisters
Change Partners Fred Astaire
You Must Have Been a Beautiful Baby Bing Crosby
Cathedral in the Pines Shep Fields
Ti-Pi-Pin Horace Heidt
Umbrella Man Kay Kyser
Wabash Cannonball Roy Acuff
So Help Me Mildred Bailey
Boogie Woogie Tommy Dorsey
I'm Gonna Lock My Heart Billie Holiday
Jumpin' at the Woodside Count Basie
I've Got a Pocketful of Dreams Russ Morgan
They Say Artie Shaw
One O' Clock Jump Harry James
Alexander's Ragtime Band Bing Crosby,
I Let a Song Go Out of My Heart Duke Ellington
Don't Be That Way Benny Goodman
Big Noise from Winnetka Bob Crosby & His Orchestra
Deep Purple Jimmy Dorsey
Music, Maestro, Please Tommy Dorsey
Flat Foot Floogee The Mills Brothers
1939
Moonlight Serenade Glenn Miller
Two Sleepy People Bob Hope
God Bless America Kate Smith
Three Little Fishies Kay Kyser
All The Things Your Are Tommy Dorsey
Darn That Dream Benny Goodman
My Heart Belongs To Daddy Mary Martin
Beer Barrel Polka Will Glahe
If I didn't care The Ink Spots
Hold Tight, Hold TIght Andrew Sisters
An Apple For The Teacher Bing Crosby
Woodchoppers Ball Woddy Herman
Cherokee Charlie Barnett
In The Mood Glenn Miller
Penny Serenade Sammy Kaye with Jimmy Brown
South Of The Border Shep Fields with Hal Derwin
Our Love Tommy Dorsey
Deep Purple Larry Clinton
Over The Rainbow Judy Garland
And The Angels Sing Benny Goodman
Day In, Day Out Bing Crosby with Helen Ward
Bubbles in The Wine Lawrence Welk
Address Unknown Ink Spots
Sunrise Serenade Glen Gray with Frankie Carle
Blues In The Night Jimmie Lunceford
1940
When You Wish upon a Star Cliff "Ukelele Ike" Edwards
I'll Never Smile Again Tommy Dorsey & His Orchestra
Frenesi Artie Shaw & His Orchestra
All the Things You Are Tommy Dorsey & His Orchestra
We Three (My Echo, My Shadow and Me) The Ink Spots
Down Argentine Way Bob Crosby & His Orchestra
In the Mood Glenn Miller & His Orchestra
Darn That Dream Benny Goodman & His Orchestra
Pennsylvania 6-5000 Glenn Miller & His Orchestra
Sierra Sue Bing Crosby
On the Isle of May Connee Boswell
The Breeze and I Jimmy Dorsey & His Orchestra
Blueberry Hill Glenn Miller & His Orchestra
Maybe The Ink Spots
Only Forever Bing Crosby
Beat Me Daddy, Eight to the Bar Will Bradley & His Orchestra
Ferryboat Serenade The Andrews Sisters
Body and Soul Coleman Hawkins & His Orchestra
Romance in the Dark Lillian "Lil" Green
It's a Blue World Tony Martin
Trade Winds Bing Crosby
Make Believe Island Mitchell Ayres & His Fashions in Music
I'm Nobody's Baby Judy Garland
1941
Stardust Artie Shaw & His Orchestra
Green Eyes Tommy Dorsey & His Orchestra
Amapola Jimmy Dorsey & His Orchestra
Perfidia Xavier Cugat & His Orchestra
Elmer's Tune Glenn Miller
I'll Be with You in Apple Blossom Time The Andrews Sisters
Racing with the Moon Vaughn Monroe & His Orchestra
You Made Me Love You Harry James & His Orchestra
Daddy Sammy Kaye & His Orchestra
I Don't Want to Set the World on Fire The Ink Spots
Chattanooga Choo Choo Glenn Miller & His Orchestra
Boogie Woogie Bugle Boy The Andrews Sisters
Let Me Off Uptown Gene Krupa & His Orchestra
Oh! Look at Me Now Tommy Dorsey & His Orchestra
I Hear a Rhapsody Charlie Barnet & His Orchestra
Take the 'A' Train Duke Ellington & His Orchestra
God Bless the Child Billie Holiday
Yes, Indeed! Tommy Dorsey & His Orchestra
Maria Elena Tommy Dorsey & His Orchestra
There'll Be Some Changes Made Benny Goodman & His Orchestra
I Got It Bad (And That Ain't Good) Duke Ellington & His Orchestra
New San Antonio Rose Bob Wills and His Texas Playboys
Dolores Bing Crosby
'Til Reveille Kay Kyser
1942
Don't Sit Under the Apple Tree (With Anyone Else But Me) Glenn Miller & His Orchestra
(There'll Be Bluebirds Over) The White Cliffs of Dover - Kate Smith
Tangerine Jimmy Dorsey & His Orchestra
Strip Polka Johnny Mercer
(I Got Spurs That) Jingle, Jangle, Jingle Kay Kyser
Deep in the Heart of Texas Alvino Rey & His Orchestra
Somebody Else Is Taking My Place Benny Goodman & His Orchestra
Who Wouldn't Love You? Kay Kyser
I Left My Heart at the Stage Door Canteen Sammy Kaye
One Dozen Roses Harry James & His Orchestra
For Me and My Gal Judy Garland
My Devotion Vaughn Monroe & His Orchestra
Sleepy Lagoon Harry James & His Orchestra
Blues in the Night Dinah Shore
Jersey Bounce Benny Goodman & His Orchestra
Trav'lin' Light Paul Whiteman Orchestra
(I've Got a Gal In) Kalamazoo Glenn Miller & His Orchestra
I Don't Want to Walk Without You Harry James & His Orchestra
Cow Cow Boogie Freddie Slack & His Orchestra
A String of Pearls Glenn Miller & His Orchestra
Flying Home Benny Goodman
Be Careful, It's My Heart Bing Crosby
Moonlight Cocktail Glenn Miller & His Orchestra
There Are Such Things Tommy Dorsey & His Orchestra
1943
Zing! Went the Strings of My Heart Judy Garland
When the Lights Go on Again (All over the World) Vaughn Monroe & His Orchestra
As Time Goes By Dooley Wilson
You'll Never Know Dick Haymes & the Song Spinners
Moonlight Becomes You Bing Crosby
Don't Get Around Much Anymore The Ink Spots
Comin' in on a Wing and a Prayer Song Spinners
I've Heard That Song Before Harry James & His Orchestra
Sunday, Monday or Always Bing Crosby
You'd Be So Nice to Come Home To Dinah Shore
People Will Say We're in Love Bing Crosby
Paper Doll The Mills Brothers
Stormy Weather Lena Horne
That Old Black Magic Glenn Miller & His Orchestra
Brazil Xavier Cugat & His Orchestra
Pistol Packin' Mama Al Dexter and His Troopers
Let's Get Lost Vaughn Monroe & His Orchestra
Juke Box Saturday Night Glenn Miller & His Orchestra
Boogie Woogie Tommy Dorsey & His Orchestra
I'm Old Fashioned Fred Astaire
Why Don't You Do Right? Benny Goodman & His Orchestra
I Had the Craziest Dream Harry James & His Orchestra
In the Blue of Evening Tommy Dorsey & His Orchestra
Taking a Chance on Love Benny Goodman & His Orchestra
1944
The Trolley Song Judy Garland
I'll Get By (As Long as I Have You) Harry James & His Orchestra
Mairzy Doats Merry Macs
Besame Mucho (Kiss Me Much) Jimmy Dorsey & His Orchestra
Swinging on a Star Bing Crosby
You Always Hurt the One You Love Mills Brothers
I'll Be Seeing You Bing Crosby
Speak Low (When You Speak, Love) Guy Lombardo & His Royal Canadians
It's Love, Love, Love Guy Lombardo & His Royal Canadians
Straighten up and Fly Right Nat King Cole
San Fernando Valley Bing Crosby
Shoo Shoo Baby Andrews Sisters
G.I. Jive Louis Jordan
Artistry in Rhythm Stan Kenton & His Orchestra
Don't Sweetheart Me Lawrence Welk & His Orchestra
Time Waits for No One Helen Forrest
It Could Happen to You Jo Stafford
And Her Tears Flowed Like Wine Stan Kenton & His Orchestra
Is You Is or Is You Ain't My Baby? Louis Jordan
Cherry Harry James & His Orchestra
My Heart Tells Me Casa Loma Orchestra
Do Nothin' Till You Hear from Me Duke Ellington & His Orchestra
1945
On the Atchison, Topeka and Santa Fe Johnny Mercer
You Belong to My Heart Bing Crosby
Rum and Coca-Cola The Andrews Sisters
It Might As Well Be Spring Dick Haymes
My Dreams are Getting Better All the Time Les Brown
There! I Said It Again Vaughn Monroe
Tampico Stan Kenton
There Goes That Song Again Russ Morgan
Its Been a Long, Long Time Harry James
If I Loved You Perry Como
Candy Jo Stafford
A Little on the Lonely Side Frankie Carle
Gotta Be This or That Benny Goodman
I'll Buy That Dream Helen Forrest
I Can't Begin to Tell You Bing Crosby
Till The End Of Time Perry Como
I'm Beginning To See The Light Harry James
Ac-cent-tchu-ate the Positive Johnny Mercer
Caldonia Louis Jordan
Laura Woody Herman
Dream The Pied Pipers
Don't Fence Me In Bing Crosby (feat. the Andrews Sisters)
Sentimental Journey Les Brown
Dig You Later Perry Como
1946
Sioux City Sue Bing Crosby
I Got the Sun in the MorningLes Brown & His Orchestra
Rumours Are Flying Frankie Carle & His Orchestra
Ole Buttermilk Sky Kay Kyser
You Keep Coming Back Like a Song Dinah Shore
Prisoner of Love Perry Como
PersonalityJohnny Mercer
I Don't Know Enough About You Peggy Lee
Doin' What Comes Natur'lly Freddy Martin
Oh! What It Seemed to BeFrankie Carle & His Orchestra
To Each His Own The Ink Spots
Shoo Fly Pie and Apple Pan Dowdy Stan Kenton & His Orchestra
Surrender Perry Como
South America, Take It Away!The Andrews Sisters, Bing Crosby
Laughing on the Outside (Crying on the Inside)Dinah Shore
I'm a Big Girl Now Sammy Kaye
Symphony Freddy Martin
Doctor, Lawyer, Indian ChiefBetty Hutton
Stone Cold Dead in the MarketElla Fitzgerald, Louis Jordan
The Gypsy The Ink Spots
Come Rain or Come Shine Margaret Whiting
They Say It's Wonderful Perry Como
The Whole World Is Singing My Song Les Brown & His Orchestra
The Old Lamplighter Sammy Kaye
1947
Open the Door, Richard Count Basie Orchestra
Linda Ray Noble & His Orchestra
A Sunday Kind of Love Claude Thornhill & His Orchestra
Anniversary Song Al Jolson
Chi-Baba, Chi-Baba (My Bambino Go to Sleep) Perry Como
Feudin' and Fightin' Dorothy Shay
That's My Desire Frankie Laine
I Wish I Didn't Love You So Vaughn Monroe & His Orchestra
Mam'selle Art Lund
Heartaches Ted Weems & His Orchestra
Managua, Nicaragua Freddy Martin & His Orchestra
I Never Knew Sam Donahue & His Orchestra
Across the Alley from the Alamo Mills Brothers
Peg O' My HeartBuddy Clark
Guilty Margaret Whiting
Near You Francis Craig & His Orchestra
Ballerina Vaughn Monroe & His Orchestra
When You Were Sweet Sixteen Perry Como
You Do Dinah Shore
I Wonder, I Wonder, I Wonder Eddy Howard, & His Orchestra
Huggin' and Chalkin' Hoagy Carmichael
1948
It’s Magic Doris Day
Nature Boy Nat King Cole
Little White Lies Dick Haymes
Serenade Of The Bells Sammy Kaye w/Don Cornell
Buttons And Bows Dinah Shore
Love Somebody Doris Day & Buddy Clark
Manana (Is Soon Enough For Me) Peggy Lee
You Were Only Fooling Ink Spots
Baby Face Art Mooney
Hair Of Gold, Eyes Of Blue Gordon MacRae
Until Tommy Dorsey w/Harry Prime
Because Perry Como
You Call Everybody Darlin’ Al Trace w/Bob Vincent
On A Slow Boat To China Kay Kyser
I’ll Dance At Your Wedding Ray Noble w/Buddy Clark
How Soon Vaughn Monroe
You Can’t Be True Dear Vera Lynn
Twelfth Street Rag Pee Wee Hunt
Golden Earrings Peggy Lee
Maybe You’ll Be There Gordon Jenkins w/Charles LaVere
A Tree In The Meadow Margaret Whiting
I’m Looking Over A Four Leaf Clover Art Mooney
Now Is The Hour (Maori Farewell Song) Bing Crosby
My Happiness Pied Pipers
Beg Your Pardon Francis Craig w/Francis Lamm
1949
Mule Train Frankie Laine
Careless Hands Mel Tormé
Again Doris Day
Room Full of Roses Sammy Kaye
Baby, It's Cold Outside Margaret Whiting, Johnny Mercer
Some Enchanted Evening Perry Como
A Little Bird Told Me The Stardusters
Forever and Ever Russ Morgan
Galway Bay Bing Crosby
My Darling, My Darling Jo Stafford, Gordon MacRae
Don't Cry Joe (Let Her Go, Let Her Go, Let Her Go) Gordon Jenkins
Riders in the Sky Vaughn Monroe
I've Got My Love to Keep Me Warm Les Brown
Slipping Around Margaret Whiting, Jimmy Wakely
Bali Ha'i Perry Como
That Lucky Old Sun (Just Rolls Around Heaven All Day) Frankie Laine
Maybe It's Because Dick Haymes
So Tired Russ Morgan
Lavender Blue (Dilly Dilly) Sammy Kaye
Powder Your Face With Sunshine (Smile! Smile! Smile!) The Stardusters
Someday (You'll Want Me to Want You) Vaughn Monroe
"A" You're Adorable (The Alphabet Song) Perry Como, The Fontane Sisters
Cruising Down the River Blue Barron
Far Away Places Margaret Whiting
1950
Music! Music! Music! Teresa Brewer
Enjoy Yourself (It's Later Than You Think) Guy Lombardo & His Royal Canadians
I Wanna Be Loved The Andrews Sisters
A Bushel and a Peck Betty Hutton
My Foolish Heart Gordon Jenkins
Play a Simple Melody Gary Crosby
The Cry of the Wild Goose Frankie Laine
All My Love Patti Page
Sentimental Me The Ames Brothers
There's No Tomorrow Tony Martin
I'll Never Be Free Kay Starr
Harbor Lights Sammy Kaye
Hoop-Dee-Doo The Fontane Sisters
I Can Dream, Can't I? The Andrews Sisters
Mona Lisa Nat King Cole
Nevertheless (I'm in Love with You) The Mills Brothers
Goodnight Irene The Weavers
Bewitched, Bothered and Bewildered Doris Day
Rag Mop The Ames Brothers
Bonaparte's Retreat Kay Starr
La Vie en Rose Tony Martin
The Tennessee Waltz Patti Page
Dear Hearts and Gentle People Bing Crosby
It Isn't Fair Sammy Kaye
1951
How High the Moon Les Paul & Mary Ford
My Truly, Truly Fair Guy Mitchell
In the Cool, Cool, Cool of the Evening Bing Crosby, Jane Wyman
Too Young Nat King Cole
Detour Patti Page
Be My Love Mario Lanza
Come On-A My House Rosemary Clooney
I Get Ideas Tony Martin
Jezebel Frankie Laine
Because of You Tony Bennett
Down Yonder Del Wood
Cry Johnnie Ray
Undecided The Ames Brothers
Mister and Mississippi Patti Page
The Loveliest Night of the Year Mario Lanza
My Heart Cries for You Guy Mitchell
Mockin' Bird Hill Les Paul & Mary Ford
(It's No) Sin Eddy Howard
Shrimp Boats Jo Stafford
If Perry Como
On Top of Old Smokey The Weavers
Cold, Cold Heart Hank Williams
(Why Did I Tell You I Was Going To) Shanghai Doris Day
Charmaine Mantovani
1952
The Glow Worm Mills Brothers
Wheel of Fortune Kay Starr Starr
Maybe Half as Much Rosemary Clooney
Slow Poke Pee Wee King & His Golden West Cowboys
You Belong to Me Jo Stafford
Lady of Spain Eddie Fisher
Delicado Percy Faith & His Orchestra
Kiss of Fire Georgia Gibbs
I'm Yours Don Cornell
The Little White Cloud That Cried Johnnie Ray
Lover Peggy Lee
Wish You Were Here Eddie Fisher
Jambalaya (On the Bayou) Jo Stafford
Blue Tango Leroy Anderson & His "Pops" Concert Orchestra
I Went to Your Wedding Patti Page
High Noon (Do Not Forsake Me) Tex Ritter
Tiger Rag Les Paul & Mary Ford
Tell Me Why The Four Aces
A Guy Is a Guy Doris Day
Here in My Heart Al Martino
Anytime Eddie Fisher
1953
Don't Let the Stars Get in Your Eyes Perry Como
Side by Side Kay Starr
You, You, You Ames Brothers
April in Portugal Les Baxter & His Orchestra
Vaya Con Dios (May God Be with You) Les Paul & Mary Ford
I'm Walking Behind You Eddie Fisher
Ricochet (Rick-O-Shay) Teresa Brewer
No Other Love Perry Como
Oh! Pee Wee Hunt & His Orchestra
Rags to Riches Tony Bennett
(How Much Is) That Doggie in the Window? Patti Page
Dragnet Ray Anthony & His Orchestra
Many Times Eddie Fisher
Till I Waltz Again With You Teresa Brewer
The Song from Moulin Rouge (Where Is Your Heart?) Percy Faith & His Orchestra
Keep It a Secret Jo Stafford
Ruby Richard Hayman & His Orchestra
Eh, Cumpari Julius LaRosa,
I Love Paris Les Baxter & His Chorus and Orchestra
Changing Partners Patti Page
Pretend Nat King Cole
Baubles, Bangles and Beads Peggy Lee
P.S. I Love You The Hilltoppers
1954
This Ole House Rosemary Clooney
I Need You Now Eddie Fisher
Make Love to Me Jo Stafford
Hold My Hand Don Cornell
Stranger in Paradise Tony Bennett
Mr. Sandman Chordettes
Papa Loves Mambo Perry Como
Hernando's Hideaway Archie Bleyer
Little Things Mean a Lot Kitty Kallen
Misty Erroll Garner Trio
Three Coins in the Fountain Four Aces
Secret Love Doris Day
Cross over the Bridge Patti Page
Hey There Rosemary Clooney
If You Love Me (Really Love Me) Kay Starr
The High and the Mighty Les Baxter
I Get So Lonely (When I Dream About You) Four Knights
Honky Tonk, Bill Doggett (Benny Hill's theme song...)
1957
Tammy, Debbie Reynolds
Love Letters in the Sand, Pat Boone
It's Not for Me to Say, Johnny Mathis
Young Love,Tab Hunter
Chances Are, Johnny Mathis
Little Darlin, The Diamonds
Bye Bye Love, Everly Brothers
All Shook Up, Elvis Presley
So Rare, Jimmy Dorsey
Round and Round, Perry Como
1958
Volare, Domenico Modugno
It's All in the Game, Tommy Edwards
Patricia, Perez Prado
All I Have to Do is Dream, Everly Brothers
Bird Dog, Everly Brothers
Little Star, The Elegants
Witch Doctor, David Seville ("Ting Tang Walla Walla Bing Bang")
Twilight Time, The Platters
Tequilla, The Champs
At the Hop, Danny and the Juniors
1959
Mack the Knife, Bobby Darin
Battle of New Orleans, Johnny Horton
Venus, Frankie Avalon
Lonely Boy, Paul Anka
There Goes My Baby, The Drifters
Personality, Lloyd Price
Three Bells, The Browns
Put Your Head on My Shoulder, Paul Anka
Sleep Walk, Santo and Johnny
Come Softly to Me, The Fleetwoods
AND, just in case you were not around in 1955, here is the scoop on "Davy Crockett" --- I was 11 then and believe me, the following is DEFINITELY true:
ABC-TV's first episode of Disney's Davy Crockett trilogy debuted on Dec. 15, 1954.
By the time the second episode, Davy Crockett Goes to Congress, was broadcast on Jan. 26, 1955, the country was in a Crockett frenzy.
The last episode, Davy Crockett at the Alamo, was shown a month later and kids nationwide were sleeping in Crockett pajamas and singing The Ballad of Davy Crockett on every playground, mourning the death of Davy at the hands of the evil General Santa Ana.
Crockett's trademark coonskin cap (which looked pretty much like a raccoon sleeping atop the wearer's head) became a fad among preadolescent fans and ironic teenagers alike. All told, more than $100 million worth of Davy Crockett material was sold within just a few months of the Disney show's premiere. Even the U.S. government caught Crockett fever: In the early 1960s, the army produced a lightweight cannon that fired small nuclear warheads, named the "Davy Crockett"
Davy Crockett and Legacy
Left: Heroic Portrait of Crockett
Middle: Fess Parker as Davy Crockett in the 1954-1955 Disney TV Show
Right: a Child of the 1950s suitably attired in Crockett regalia
If you are reading this in 2050, this dorky kid could have been your great-grandfather..
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Recordings of the show's theme song, The Ballad of Davy Crockett, sold seven million copies in the first six months of 1955. In case you're interested, the immortal words are:
Born on a mountaintop in Tennessee,
Greenest state in the land of the free,
Raised in the woods so he knew every tree,
Kilt him a b'ar when he was only 3.
Davy, Davy Crockett, King of the Wild Frontier!
Through the magic of the internet, you can watch Fess Parker sing this memorable ode:
Throughout the decades of the 20th Century, Fess Parker, then John Wayne gave us a steady, unwavering Davy Crockett, champion of Freedom and Right. Attributed to Davy, Wayne's immortal words in the 1960 film The Alamo were the byword of a generation that had grown up to hate the Commie Menace:
"... Republic. I like that word. Means that people can live free, talk free, go or come, buy or sell, be drunk or sober, however they choose. Some words give you a feeling. Republic is one of those words that makes me tight in the throat ..."
In fact, once again through the magic of the internet, you can hear John Wayne actually speak those momentous words.
While John is talking however, you might want to mull this over: General Santa Ana was "visiting" because the American settlers in Texas brought their SLAVES with them. Slavery was illegal under the Mexican constitution. The principal issue between the "Texicans" and the "Mexicans" was slavery, plain and simple. Only certain people could "live free" or "go free."
As a child of the 1950s, I have come to realize that many of my idols had feet of clay. Elvis met his match with carbohydrates, JFK was really a womanizing airhead, Charles Van Doren was a fake, George McGovern was a bad trip, Alger Hiss was really a Commie spy. It came as no surprise when Billy Bob Thornton offered an alternate version of Davy Crockett as a sorely muddled loser in the 2004 version of The Alamo.